What Gaye Edwards doesn’t know about portraiture isn’t worth knowing. This is a copy of Gaye’s notes from the club’s recent photoshoot at Oxley Creek Common, where Gaye talked us through the ins and outs of shooting portraits in the great outdoors.Read More
Hello there, and great job on finding this page. If you’re new to the Queensland Camera Group we’ll share a secret with you: there are three ways to improving your photography. The first is putting your camera in your hands and going out and using it. Daily! The second is YouTube. University of YouTube has taught all of us so much.
The third way to improve your photography is the most important.
It’s learning from each other, and that is what QCG is all about. Here we share our most useful insights, from guest speakers, judges and fellow members. But unlike the University of YouTube, the people featured here are people we know, trust and see on a regular basis.
Want to improve your photography? Read on to see the insights shared by our members and mentors.
Street and travel photography are amazing genres. Quite a few QCG members have a special interest (and talent!) for this area of photography. Anne Pappalardo asked Street and Travel photography guru, Peter Aitchison for his tips.Read More
We invited QCG member, Betty Collerson, to reflect on her photographic journey and in particular, what she has gained by being a part of a camera club. We hope you enjoy Betty’s story, and the visual journey reflected in the timeline of her images back to 2011.Read More
Rob Heyman is a Brisbane based photographer who is also a Triple Master of Photography with the Australian Institute of Professional Photography. He is recognised as one of the leading portrait photographers in Australia. Rob's expertise is internationally recognised and as a result he is asked to speak at photographic events worldwide – including last April (2018) at the QCG in Bardon!
Following is a small excerpt from Rob’s talk – if you’re interested in portraiture, this article is a start. You can also follow Rob on Facebook where he regularly shares his latest portrait work, mostly of farmers in Victoria. Rob’s approach to portraiture photography is to choose natural outdoor locations for the optimal light conditions and backgrounds. His folio of award winning images is testament to his remarkable talent. He is also a lover of black and white, and was more than happy to share his experience both in portraiture and black and white processing with QCG.
Below is a summary of some of the points shared by Rob:
Rob always shoots around 5.00pm in the afternoon, or starts an hour before sundown;
Posing – the tip of the nose must not break the side of the cheek; don’t show the back of the hand and don’t shoot from less than 6ft away from your model;
Research and become an expert on the theory of posing – inspiration can be found from:
. Yousuf Karsh https://karsh.org/
Documentary style photographers include:
. Steve McCurry http://stevemccurry.com/
. Mary Ellen Mark http://www.maryellenmark.com
.Rob shoots with two lenses – a 24 – 70 and his preferred 70 – 200; has a spare macro as backup but never uses it;
Vignettes just about every photo – stops arms and legs dropping out of the image;
Don’t allow highlights to overwhelm; enable the Highlight Indicator on your camera or the ‘blinkies’; turn your LCD panel to black and white and get a better feel for how your image will look – this will also help draw your attention to unwanted elements in your composition;
Rob has three requirements when scouting for location:
- Find a good background;
- Then, establish your foreground;
- Light must have a direction.
With regard workflow, Rob:
- Converts to black and white by de-saturating in camera raw filter
- Never sharpens, but prefers to increase Clarity if necessary
- Vignette also added in camera raw filter using the Graduated Filter button (top bar)
- Use levels to check if your blacks are black and your whites are white; to set your whites, press the Alt key on Windows and Option key on Mac and slide the right hand slider right until little bits of white appear in the black (then bring back until the whites are one) and to set the black, use the left hand slider and hit Alt or Option – drag the slide left and the screen turns white with bits of black – the black shows clipping, so drag the slider right until they’re gone.
Another editorial in our series which portrays visually and in words the progression of our members as a result of belonging to a camera club. This story is from Roger Bartlet, the initiator of our bi-annual Print Project and a wonderful photographer.Read More